1 2 Brewster, Bill; Broughton, Frank. The Record Players: DJ Revolutionaries. Black Cat. p. 64
1 2 Lawrence, Tim. “Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer”. In Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader, ed. Julie Malnig. University of Illinois Press, 2009. p. 204
↑ Hill, Adam J.; Hawksford, Malcolm O. J.; Rosenthal, Adam P.; Gand, Gary. "Subwoofer positioning, orientation and calibration for large-scale sound reinforcement". Audio Engineering Society Convention Paper 7981, presented at the 128th Convention, May 22–25, 2010, London, UK
1 2 Papenburg, Jens Gerrit. "Enhanced Bass" in Sound as Popular Culture: A Research Companion, edited by Jens Gerrit Papenburg, Holger Schulze. MIT Press, 2016. p. 210
↑ Salkind, Micah. Do You Remember House?: Chicago's Queer of Color Undergrounds. Oxford University Press, 2018 p. 60-61
↑ Fink, Robert. "Below 100 Hz: Towards a Musicology of Bass Culture". In The Relentless Pursuit of Tone: Timbre in Popular Music, eds. Fink, Robert; Latour, Melinda; Wallmark, Zachary.. Oxford University Press, 2018. p. 104-105
